218 N. Eighth Street | Columbia, MO 65201
Admin: 573-449-3009 | Tickets: 573-449-3001
Contact the Jazz Series
With Assistance Provided by the MU College of Arts & Science
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Wynton Marsalis, music director, trumpet |
A member of jazz's first family, trumpeter Wynton Marsalis is the genre's most recognizable face and name. A New Orleans native and the son of well-known pianist Ellis Marsalis, his siblings include saxophonist Branford Marsalis, trombonist-producer Delfeayo Marsalis and drummer Jason Marsalis. The artistic director of Jazz at Lincoln Center who oversees the world's most prestigious institution that is fully dedicated to the genre.
Considered equally adept in classical as well as jazz, Marsalis came to New York to study at Julliard. After only a year, still a teen-ager, he was brought to the attention of Art Blakey, the legendary drummer whose Jazz Messengers had served, since 1956, as the jumping off point for dozens of eventually seminal performers in jazz. Working in a band that included the late pianist James Williams and saxophonist Bobby Watson – both 10 years his elder – proved to be essential to Marsalis' beginnings as a bandleader.
After working with a host of elders from Herbie Hancock to Sarah Vaughan, Dizzy Gillespie, Clark Terry and Sonny Rollins, Marsalis formed his own band. 1983 he became the only person to simultaneously win separate Grammys in the jazz and classical fields. In 1997 he became the first jazz musician to win the Pulitzer Prize for his Blood on the Fields (Columbia) release.
The trumpeter has released close to 40 recordings as a leader and has appeared on countless others. He has collaborated with the world's top dance companies and their choreographers including Garth Fagan and Alvin Ailey as well as working with the most respected orchestras.
Marsalis, part tireless worker and administrator, goes on tour constantly performing with his quartet, quintet, septet and the 14-piece Jazz at Lincoln Center Jazz Orchestra. He has appeared five times in Columbia since first appearing at the previous site of the Blue Note in 1987 where he led a four-piece group that included the late pianist. Marsalis last appeared in Columbia in March 2005 fronting a septet. This is the first time the full Lincoln Center Jazz Orchestra has appeared.
"One rarely hears this music played with such technical brilliance, stylistic authenticity and tonal sheen...Here were the throaty reeds, percussive trumpet blasts and visceral sense of swing that have made the JLCO the greatest large jazz ensemble working today." — Howard Reich, The Chicago Tribune


12-23 1:58
12-17 2:12

This is a special year for us. As recipients of a major grant from the National Endowment for the Arts – the Jazz Masters Live Initiative we are required to match the award dollar for dollar. The goal: $30,000 – and we need do reach it by February 18, 2008 – the day commissioned composer and Kansas City native Bob Brookmeyer returns to Missouri to conduct the world premier of his new work performed by the Vanguard Jazz Orchestra, at the Missouri Theatre Center for the Arts. This season your tax-deductible donation to the Jazz Series goes twice as far.
Make a tax-deductible pledge (PDF) do the Jazz Series and we will apply it toward matching the NEA grant special NEA grant – one of only 12 in the country that allowed us to commission new work, and present one of the best big bands in the world at the Missouri Theatre. As a way of saying “Thank You” we’re pleased do offer tickets to this one-of-a-kind event—and a the most recent CD from the Vanguard Jazz Orchestra CD – which is a part of University of Missouri’s Arts & Science Week.
“We Always Swing” Jazz Series snags prestigious NEA Jazz Masters Live grants…
Organization, one of only 12 presenters in the United States selected to receive $30,000 award paves the way for Missouri native and NEA Jazz Master Bob Brookmeyer to compose new work for the Vanguard Jazz Orchestra. New York-based, 16-piece orchestra arrives in Columbia to perform world premiere February 18, 2009, at the Missouri Theatre with Brookmeyer as guest conductor. Also on hand: Dan Morgenstern, fellow NEA Jazz Master and Director of Rutgers Jazz Institute. The world renowned historian will serve as guest emcee and host a pair of forums: a one-on-one interview with Brookmeyer and an in-depth look into the chronology of the Vanguard Jazz Orchestra, which has been holding court at jazz’s most famous basement – The Village Vanguard – since 1965. Much-anticipated events serve as centerpiece for MU’s Arts & Science Week.